Tag: Horror
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by Aninda Provati The LGBTQ+ community has long been fascinated with the horror genre even when it was hard to see the perfect representation in mainstream films back then. Directors started adding queer subtexts to their films, but they were used mostly to create the villains, the terrifying monsters out for blood. Queer fans soon…
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by Evie Johnson The lulling summer sun and a knife-wielding masked murderer. These are the films that remind us just how terrifying broad daylight can be. A secluded space, limited suspects and an atmosphere reminiscent of Lord of the Flies’ youth-induced chaos are all components of the summer camp slasher, a subgenre which continues to…
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by Adam Page There is a certain kind of cinema that gets under your skin, feeling like a splinter you can’t quite locate. It’s persistent, irritating and slightly beautiful in its wrongness. Italian giallo is that kind of cinema. It’s operatic, garish, and morally unhinged. The sort of movie-making that makes you feel a little…
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by Laura Barnes Read Part 1 here. Merkurio “You have a black heart!” Sébastien Pesle’s Merukurio is a curious little thing. With its minimalistic dialogue and its black and white colouring, it’s almost like a Charlie Chaplin film – that is, if Charlie Chaplin starred in movies about male escorts getting kidnapped and enslaved by…
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by Laura Barnes Depravity merchants Interference Films are back, and this time they’ve taken over Manchester’s Cultplex Cinema for a whole weekend. The result is a room full of black t-shirts, skull tattooes, and Grindcore bursting from the speakers. We’re lightyears away from Sundance with this one, folks. Interference Fest is about showcasing the best…
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by Matt Rogerson Liminal spaces – thresholds, passages and uncertain states – lie at the heart of horror storytelling. Currently, liminal spaces and liminality are popular terms among horror fans, thanks to the success of horror films like Kyle Edward Ball’s Skinamarink (2023), television series Severance (2022- ) and video game/digital space (and soon to…
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by Nathan Brown Bloodsuckers, flesheaters and nymphomaniacs: horror cinema has long traded on a primal fear of uncontained female appetites. Afterall, in a world where women’s desire for food, sex and capital has been fiercely policed by patriarchal social norms, what could be scarier than a hungry woman? – Dundead Film Festival I first attended…
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by Laura Barnes “This whole city’s goin’ to hell!” the thick Brooklyn accent bursts from Cultplex’s speakers. “Ya can’t take a pee anywhere!” And the cinema erupts into laughter, unrestrained and infectious. Tonight, Cultplex has been taken over by the motley crew over at Interference Films, a Manchester-based collective dedicated to sourcing and screening lost…
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by Janine Riddell On 15th April I had the opportunity to attend an intimate screening of Ana Lily Amirpour’s A Girl Walks Home Alone at Night (2014). The location was Nottingham’s very own The Carousel. Located in the Hockley district, it’s a vibrant hub of artistic flare and home to some of the very best…










